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Taking the whole process a stage further, Jim Jupp and Julian House of Ghost Box Records access the music of the past by the simple expedient of creating it for themselves. Early explorers of the sound, such as Lee Perry, King Tubby and Errol Thompson, become recognisable by the feel they bring to their dub creations from behind the controls of the studio mixing desk. In a grim echo of the mass hysteria generated by the Martian spaceship after its discovery in Knightsbridge, the history of this remarkable all-female ensemble, as detailed in the sleeve notes to their debut album, is filled with incidents of audience members succumbing to feelings of intense anxiety followed by an overwhelming sense of euphoria. The outer cosmos has become internalized. The process Briscoe describes here is one in which the production of sound becomes wired into itself. If you like Moving Target, you may also like: Martian intolerance to their presence took the form of iron bars and petrol bombs:

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Sound, Affect, and the Ecology of Fear. It is, after all, the lone pioneer who ensures that space is never left unoccupied for very long. CoMA was founded to enable musicians of all abilities to participate actively in contemporary music. Your comment will be reviewed by the moderator for compliance with the Rules. The future, it appears, belongs to the lone pioneer as much as the large organization.

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